Am I the only one kicking this thread around still?

Been watching the bonus disc in the Gold Box tonight; FANTASTIC. The "A Slice of Lynch" feature, which is the only thing David Lynch would shoot, is still pretty superb (see above); and the feature-lengthy documentary is outstanding. Loads of Mark Frost interview segments, and he's the guy I've wanted to hear from all along. (Obviously Lynch gets the lion's share of credit, and though the series unmistakably has his touch, it's every bit Frost's baby too.) There's also some interesting revelations considering I thought I knew everything about this show

- During the second season, the writers did seriously consider having Cooper consummate his attraction to Audrey Horne at one point. There's a bit of judicious side-stepping from Frost, and then it's gradually unraveled by others to point toward Kyle MacLachlan being the one who put the kibbosh on the idea. (He indicates he just didn't think it was right, that since she was still in high school that Cooper wouldn't go there. I have to say I agree with him; it's a lovely, lost romance but seeing as how Cooper had already been burned by tasting forbidden fruit once when he nailed Windom Earle's wife, no matter how egged on he would be by his emotions I can't see him making the same mistake twice.)
- The much-speculated idea that the bonkers cliffhanger nature of the finale was a middle finger to the network is sort of obliterated; as is usually the case with these things, it only takes the horse's mouth to settle it. Mark Frost talks about how toward the end of season two, while he and Lynch were both finishing up films that they really wanted to get back on the wagon and bring the show back to its origins - more unsettling, less absurd - and abandon the tangential plot strands that were frustrating everyone, audience and cast and crew alike. So they had begun to sketch out season three and the anchor point that they wanted to use was having Cooper become possessed so they could
really go dark and examine what it would be like to have the hero also be the villain, this impossibly upstanding man battling evil within himself. The other cliffhangers were basically an expansion on what they did at the end of season one with Cooper being shot, the mill burning, etc. But by the time the episode was put into production, they already knew it would in fact be the end. *sigh* Damn. A relief to know that much of my bitterness has been misplaced, though. Heh.
Ed, if you still want me to pick up the box for you, just holler. It's so worth it.